Twenty-two designs, twenty-two ways to tell your wedding.

An invitation that is a boiserie panel from an eighteenth-century Viennese salon: guests tap the plaster cartouche, light sweeps across the relief, branches grow, peonies open, a porcelain bird brings a silk ribbon and the names appear carved before the mouldings swing open like doors onto a palace garden. Then every section is a different panel: a programme that blossoms along a branch, a map in relief and a framed gallery.

Tap the cartouche and watch the panel blossom and open

Curtains of pearl and crystal strands that move under your finger, a chandelier that lights up and an embroidered palm court; the dress code is shown with illustrated guests.

Pearl curtains you part with your finger

A greige linen envelope closed with a 108-pearl necklace tied in a bow, in real 3D: untie it and the pearls fall with real physics, the flap opens, the letterpress card rises and an embossed oval cameo reveals a black-and-white photo. Inside, a fashion magazine: film-grain photographs, a necklace linking the hours of the programme and pearls you can nudge.

Untie the pearl bow and open the envelope in 3D

On arrival, two edges of painted, layered mother-of-pearl meet beneath a cameo bearing the monogram. Touch it and the layers slowly part, one by one, in an iridescent light, and the cameo settles as the monogram of a vintage plate: a mother-of-pearl arch with pearls and a silk bow, with the names written inside. A website in mother-of-pearl from start to finish: the same edge of nacre joins every section, the countdown sits on nacre tablets, the programme on a pearl-framed card, the couple, the venue and the map carved in nacre, and a fashion sketch shows the dress code.

Touch the cameo and watch the layers of mother-of-pearl open

A marble rotunda above the Sicilian sea, drawn in pencil: the guest sweeps a finger like a brush and the watercolour appears; then sepia ink engravings on ochre paper.

Paint the watercolour with your finger

A burgundy pen-and-ink drawing: a bow that comes undone and a dinner table that draws itself.

Pull the bow: it unties, the pen draws the table and the ribbon falls through the whole site

A gate of white flowers on the lakeshore, tied with a silk ribbon: the guest pulls it, the gate swings open and a watercolour invitation appears.

Untie the ribbon and open the gate

A linen folio with a gold-embroidered label opens like a book: inside, a Provençal bastide, lavender and raised embroidered roses.

A linen folio that opens and text that stitches itself

A watercolour arch of hydrangeas is mirrored in the pool, and a blue lace cameo keeps your black-and-white photos.

Watercolour that blooms and a cameo that turns

A diorama of sugar, clay and pearls: a velvet bow, turtle doves on the fountain and gilded gates that open onto the villa.

Falling pearls and opening gates

A luxury invitation on champagne linen, in real 3D: the guest breaks the golden wax seal, the cord slips loose and the embroidered silk ribbon unwinds with real physics until the card rises and becomes the website.

Break the seal and unwrap the silk ribbon in 3D

An invitation in embossed bisque porcelain, delicate as sugar: guests tap the pearl on the envelope, the flap lifts in 3D and the card peeks out. Then a single serene column: an arch with lemon trees in Sèvres pots, orangery glass doors that open as you scroll, the château in an oval frame, swaying garlands and guests dancing like porcelain figurines.

Tap the pearl and lift the porcelain envelope’s flap

An invitation that is a hand-cut paper tunnel book: pull a tab, the book unfolds into layers with real depth and, as you scroll, you pass through the peephole into an English garden of sweet peas. Then every section is a paper mechanism: a folding concertina, wheels that count the days, a map that unfolds and a swatch fan.

Pull the tab and step through the paper book’s peephole

On arrival, the porcelain is so close that all you see is a scroll with a peony painted in cobalt. Touch it and the view slowly pulls back and turns a little to reveal an asymmetric porcelain cartouche edged in gold; a light crosses the glaze and the names appear in its hollow. A website of tactile realism and great calm: each section rests on a different fragment of scrollwork, the venue is a palace brush-painted on a porcelain plaque, the dress-code colours are glazed buttons and nothing moves in a loop.

Touch the porcelain and watch the invitation reveal itself

On arrival you look up: the ceiling of a town palace, with a white-on-white plaster ceiling rose and its central medallion closed like a lid. Touch it and the lid slowly lifts, the light of the sky spills over the plaster and the view rises through the oculus into a sky painted in fresco, where the names are. A website of tactile realism and great calm: each section rests on a different plaster ornament, colour only lives inside the oculi, the venue is a palace painted in fresco in an oval frame and, at the farewell, the oculus slowly closes.

Touch the ceiling medallion and rise through the oculus into the painted sky

Garden arches, orange blossom drawn in fine line and plenty of breathing room.

Arches that draw themselves and bloom as you scroll

Handmade paper, linen and olive branches for an open-air wedding.

A card that unfolds the day

An open horizon, sea motifs and the light of an evening by the water.

A tide line that follows the programme

A cream envelope, a burgundy wax seal and type that looks freshly printed.

An envelope that opens when you break the seal

Full-screen editorial photography, sage-green paper with embossed olive leaves and a glass countdown that lights up as you pass.

Embossed leaves that follow the light